The Design of Active Crossovers Douglas Self
Publisher: Focal Press

The circuit was designed for the purpose of creating an active crossover circuit for 2-way output while having a response that is linear in phase. The Design of Active Crossovers by Douglas Self F..al Pr | 2011-07-08 | ISBN: 0240817389 | 608 pages | PDF | 10.92 MB The Design of Active Crossovers is a unique guide to the design of h. Designer Night returns with a combined menu of talks and networking focusing on issues facing emerging designers entering the UK and international design scenes. As I understand it, having an "active crossover" implies that the crossover is happening *before* the amping step. He has a clever solution, though. Isn't this technically no longer an active crossover design? If one were to design and build their own active crossover, you save a lot of cash on the passive crossover parts. It seems that a patent that Jerry filed when he was operating Ultimate Ears finally went through, and so he is no longer able to use the active crossover design. I have also wanted to design an active crossover, both as a kit and for my own projects. MaxxEQ and MaxxBass can be used for designing efficient and programmable active crossovers for both amplifiers and powered speakers. Both of those things would incorporate a few (or lots of) buffer stages. The A2 differs significantly from the Atom in having a relatively rare sealed cabinet, as opposed to the Atom's rear-ported, bass-reflex design, and an active digital crossover instead of the Atom's passive one. Its internal active crossover and custom-designed dual amplifiers ensure an extremely consistent performance under a variety of different studio conditions and program material. This is only semantics, but I am still curious.